For a long time the oud was disparaged in Iran, even though the Sassanian empire was fundamental to its development centuries ago. One key to its twentieth-century revival was the musician Mansur Nariman. I recently recorded some of his short pieces.
I was booked to play oud in Roxanna Panufnik’s opera Dalia, the story (libretto by Jessica Duchen) of a refugee in the UK, who finds her way into the hearts of local people through hr passion for cricket. The opera explores the kindness but also the hypocrisy of English society, Read more…
I was fortunate to have an artist residency to develop music within Olympias Music Foundation’s Migrant Voices project. The spontaneously-formed band in which I co-created music was called “Soap of My Heart”. Migrant Voices was the premiere performance of 4 new musical works, created during a week-long artist residency with Read more…
A lockdown event: a lovingly-selected programme emphasising the beauty in hidden voices and stories of women, taking listeners on a journey from Afghanistan to Sicily with stops in Iraq, Iran, Turkey and Greece.
Creative Migrations with the Oud: Technology, Memory and Musical Storytelling.
We were thrilled that Beyond Mode was featured in the SOAS Concert Series 2019-2020.
In the series Dal local al globale I presented a lecture-recital in Cremona in the beautiful Dipartimento di Musicologia e Beni Culturali, leading the audience on a journey through modal music practices of the Arab, Ottoman and Persian traditions.
An opportunity to present one of my own compositions, Acem Kurdi Saz Semai, live for the BBC, with a mysteriously dramatic background – not really in line with the melancholy of the piece! Please contact me if you would like a copy of the score.
Oudmigrations is a research project dedicated to the journeys of ouds, their histories, and the stories attached to their makers, players, and owners. The first Oudmigrations concert series took place in Rome, thanks to the generous support of ISMEO (Associazione Internazionale di Studi sul Mediterraneo e l’Oriente) and hosting by the Biblioteca Vallicelliana. They explored Read more…
A concert of Ottoman court music along with my song cycle “Sing no Sad Songs with Me”, in the elegant Reid Concert Hall of Edinburgh University.