How can old and new musical technologies be part of creative engagements with musical migration? The programme included performances of historical repertoire for the oud and also my multi-media work-in-progress Listening to a boat of memories.
Video under edit!
Oud: Rachel Beckles Willson
Kamancha: Melisa Yıldırım
Percussion: Ant Romero
Carole Nash Recital Room.
Royal Northern College of Musi
While composing these tracks I was asking myself where we can find hope today, living in such a tortured world.
Recent civil disobedience movements have employed tactics and gestures inspired by water and light – movements which have been subject to unrelenting suppression.
I am thrilled to have my composition Teatime! presented as the first track on NMC’s CD release In These Exceptional Times. In November 2021 NMC launched The Big Lockdown Music Survey, an Arts Council England National Read more…
0 Comments