I am thrilled to have my composition Teatime! presented as the first track on NMC’s CD release In These Exceptional Times. In November 2021 NMC launched The Big Lockdown Music Survey, an Arts Council England National Lottery Funded project which invited music creators from across England to submit recordings of music Read more…
A wry hearing of a kitchen in 1950s England
In 2001 I was artistic Director of Signs Games and Messages, a 2-week long festival celebrating the music of Gyorgy Kurtag, and a collaboration between London’s South Bank Centre and the Royal Academy of Music. We were awarded the Royal Philharmonic Society Festival Prize for 2002. Press coverage was extensive, Read more…
In January 1996 I was selected to play at London’s Purcell Room in the Park Lane Group concert series for young artists. I combined short pieces by György Kurtág, with whom I had studied, with a newly-commissioned work by the Hungarian László Tihanyi, in whose Ensemble Intermodulation I had performed. The largest-scale Read more…
Competitions were an inescapable part of concert pianism. The UNISA one was in Praetoria. Looking back at the videos from the first two rounds is like looking back at a different person. I remember two things in particular. First, that I was hugely relieved to be knocked out, so I Read more…
For several years I was a regular guest artist with Graham Hair’s ensemble and concert series Scottish Voices. It was in this context that I presented Kurtag’s The Sayings of Peter Bornemisza Op.7 with Jane Manning. Read more…