Sing no Sad Songs for Me (Italiano)

Un “Liederkreis” tra il Tamigi e il Bosforo Sonorità lontane tessute con ricordi di donne Poesie di Christina Rossetti Musiche di Rachel Beckles Willson Musicisti: Rachel Beckles Willson (voce, oud), Ciro Montanari (tabla), Kostas Tsarouchis (contrabbasso), Evgenios Voulgaris (yayli tanbur) ‘Sing no Sad Songs for Me’ nasce dall’incontro tra la poesia Read more…

Sing no Sad Songs for Me

A song-cycle connecting the Bosphorus and the Thames – resonances woven through the memories of women  Poetry by Christina Rossetti Music by Rachel Beckles Willson Performers: Rachel Beckles Willson (vocals, oud), Ciro Montanari (tabla), Kostas Tsarouchis (double bass), Evgenios Voulgaris (yayli tanbur) ‘Sing no Sad Songs for Me’ connects the Read more…

Electroacoustic

I’m intrigued by the interplay between the sounds that are conventionally part of concert music, and those conventionally excluded. I recently started bringing external sounds in, while continuing to use traditional instruments and – with a certain ambivalence – becoming a studio musician. In the works below I engage closely Read more…

Audiovisual

My work is increasingly engaged with the play between sight and sound. While developing materials and techniques for a large-scale project exploring the marine environment I have published some short work-in-progress studies in audio-visual animation. They build on earlier collaborations with bassist James Banner, and artist Lin Li.

Sing no Sad Songs for Me (Francais)

Un cycle de chansons entre la Tamise et le Bosphore Sons lointains tissés par des mémoires de femmes Poesie de Christina Rossetti Musique de Rachel Beckles Willson Musiciens: Rachel Beckles Willson (voix, oud), Ciro Montanari (tabla), Kostas Tsarouchis (contrabbasse), Evgenios Voulgaris (yayli tanbur) Sing no Sad Songs for Me réunit les traditions Read more…

London 1988

I composed ‘Talking about Tatyana’ when I was a student at the Royal Academy of Music in London. It is an oblique homage to Tatyana Nikolayeva, the pianist who premiered Shostakovich’s 24 Preludes and Fugues. It’s a fugue, and I scored it for clarinet trio. Why? I don’t remember!  

Academic teaching

I have worked in full-time academic teaching since 2000, when I began as a lecturer at the University of Bristol. I was Professor of Music at Royal Holloway, University of London until September 2019, and now I am Professorial Research Associate at SOAS, University of London. My teaching has ranged Read more…