This list excludes works I composed while a student at the Royal Academy of Music, London 1986-1989.

Explanatory note.
The first four works below are creative studies in Ottoman genre and modality.
The Ottoman genre ‘Semai’, follows a particular usul (metre) in 10/8, which is divided 3-2-2-3 for all sections except the penultimate, which is typically in 6/4, 6/8 or 3/4.
The modes are strictly codified in terms of pitch and development.
‘Saz’ means ‘instrument’, and they can be played in any combination or by a soloist, provided the instrumentalist can articulate the microtones.

2011
Acemasiran Saz Semai
Any instrumental combination
3 minutes.

2011
Guldeste Saz Semai
Any instrumental combination
4 minutes.

2012
Acem Kurdi Saz Semai
Any instrumental combination
4 minutes.

2013
Mahur Saz Semai
Any instrumental combination
4.5 minutes.

2015-2016
Sing no Sad Songs for Me
Setting poems by Christina Rossetti
A song cycle for voice, oud, bowed tanbur, Indian tabla and double bass.
35-40 minutes.
Premiere: St Ethlburga’s Centre, London, June 30 2018.
Documentary film:

1. A Pause of Thought
2. Sing no Sad Songs
3. Fata Morgana
4. Waiting for Mother
5. Yet a While
6. Echo
7. A Pause
8. Smile and Forget

2019
He tells her
Setting a poem by Wendy Cope.
Voice, oud and marimba
4 minutes.
Premiere: Royal Northern College of Music, Manchester, 4 March 2020

2019
Song for another world
Original text.
Voice, String Quartet and oud
12 minutes.
Premiere: Royal Northern College of Music, Manchester, 4 March 2020

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